Stephen King Francis Ford Coppola’s Dementia 13 Movie That Lit My Fuse – deadline

The Film That Lit My Fuse is a Deadline video series that aims to provide an antidote to the headlines about the uncertainty in the industry by bringing the conversation back to the creative ambitions, formative influences and inspirations of some of the great artists in filmmaking. today.

Each installment asks the same five questions. Today’s subject is Stephen King – which, quite frankly, was one of the subjects we dreamed of having when this feature film came out. He was alongside a small group which included Francis Coppola and William Friedkin (who participated) and a few others whom I am still chasing.

King is a national treasure, a prolific storyteller who has generated over 60 novels and around 200 short stories. His work has been transformed into classic films such as Stand by Me, The Shining – which also has a mini-series adaptation – The Green Mile, Misery, The Dark Tower, The Running Man, Pet Sematary, The Shawshank Redemption, Cujo and This and adaptations of series which include The stand, Salem’s Lot, Mr. Mercedes, Under the dome, and, more recently, Lisey’s story. His most recently published novel is the hit hit thriller Billy Summers.

King started out in the horror genre squarely. His first published novel is Carrie, whose first pages the king threw in a trash can, only for his wife Tabitha to pick them up, read them, and convince him to continue. It quickly became Brian De Palma’s movie starring Sissy Spacek. From there, his filmography swelled and it expanded into many genres, including non-fiction. i’m halfway Billy Summers, and there is no supernatural influence, at least so far.

King has dozens of works in various stages of development, including remakes of adaptations from earlier books. This was made possible by a fairly simple and user-friendly formula for the filmmakers. He asks for a token dollar up front for an option, against a generous backend. But King has creative control over what is done at his job; he welcomes imaginative adaptations, but much of the way he does business is intended to protect his books and short stories from languishing – a fate that has befell many writers who were strapped for money and who bought the screen and television rights altogether.

While the author has never been above sending his characters to hellish fates, he shields his creations from a doom to Hollywood development hell. Learn about the screen influences that helped King find his mojo.

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