There has never been so much media to consume and the sheer excess can be intimidating at times, but the movie the industry continues to find ways to engage audiences and subvert expectations. A very common approach that has picked up pop culture over the past few decades is the need to turn popular properties into franchises – or at the very least a sequel or a trilogy.
It can be a lot of fun going back to old characters and watching their story unfold through things like a trilogy or a connected cinematographic universe. However, some filmmakers have gotten creative and engaged in film trilogies that are thematically linked instead of sharing a singular narrative and characters. Thematic trilogies can sometimes be even more powerful than the conventional variety, and some ambitious directors have created incredible films against this backdrop.
ten Edgar Wright’s Tri-Color Cornetto Trilogy is a gender celebration of friendship and age
Edgar Wright’s films always become visual and auditory spectacles. Wright’s love for the genre and stylistic conventions helped give birth to his famous “Cornetto Trilogy in Three Colors”, consisting of Shaun of the Dead, Hot Fuzz and The World’s End.
Each of these films, which features Simon Pegg and Nick Frost as central characters, works as fascinating examinations on friendship and control, but each does so as a tribute to a different genre. The “three colors” represented here, red, blue, and green, correspond to the horror, action, and science fiction, which Wright nails.
9 Chan-Wook Park’s Vengeance Trilogy Deconstructs Pain, Grief & Redemption In Different Ways
Chan-Wook Park is a South Korean filmmaker whose Oldboy is regularly honored for excellence, but some don’t realize that this is actually the director’s middle chapter. powerful, contemplative and violent “Revenge Trilogy.” Old boy is reserved by Sympathy for Mr. Vengeance and Sympathy for Lady Vengeance.
All three films focus on the desperation that consumes individuals when pushed to their limits, as well as the efforts people will put in to find closure and whether such a thing is even possible. Each film benefits from its very unique protagonist.
8 John Carpenter’s Apocalypse Trilogy Looks At The End Of The World In Weird Different Ways
John Carpenter is a name that absolutely essential to the horror genre. He is no stranger to darkness, but The thing is actually considered the first part of Carpenter’s thematic “Apocalypse Trilogy”. The Thing is joined by Prince of Darkness and In the mouth of madness, all of which examine the dissolution of humanity triggered by the end of the world.
Each movie contains mind-boggling breakdowns and awesome threats, but The thing goes about it through a shapeshifter alien entity, Prince of Darkness examine Satan, and In the mouth of madness delves more into cosmic horror and Eldritch.
7 Steven Spielberg’s Running Man trilogy pits lost individuals against stifling worlds
Steven Spielberg has proven to be one of the greatest filmmakers of all time and is largely responsible for initiating essential film trends, like the summer blockbuster. Spielberg’s filmography has touched on almost every genre with a lot of diversity in terms of audience and tone. Spielberg’s “Running Man Trilogy” features some of his most energetic works.
AI: Artificial intelligence, minority report, and Catch Me If You Can all of them tell stories about lonely protagonists fleeing a world that no longer makes sense to them, albeit in completely different ways with very unique worlds and genres.
6 Roman Polanski’s Apartments trilogy unboxes claustrophobic paranoia in a unique way
There are times when a commonplace can also add to a thematic trilogy in an illuminating way, which is part of the reason why such an innovation is present in Roman Polanski’s ‘apartment trilogy’. Repulsion, Rosemary’s Baby, and The tenant are all largely confined to claustrophobic apartment complexes in order to amplify the tension experienced by the characters.
All of the protagonists in these films become deeply paranoid and unable to trust anything around them, which at times leads to rampant deaths. Each film in Polanski’s Apartments trilogy benefits from the stripped-down setting, but none of them feel derived from each other.
5 Baz Luhrmann’s Red Curtain Trilogy Shows Off His Flair For Excess And Performance
Some filmmakers may make many films and never develop a distinctive visual style, while others, like Baz Luhrmann, jump right in and immediately establish a visual language that enhances their storytelling.
The festive performances that fill Luhrmann’s work are usually inputs to his “Red Curtain Trilogy,” which looks at theater, artifice and performance as the characters process their individuality and come of age. Strictly Ballroom, Romeo + Juliet, and red Mill make up this themed trilogy and it’s all bombastic love stories that helped put Luhrmann on the map.
4 Terry Gilliam’s Imagination Trilogy explores the joys and dangers of an open mind
Terry Gilliam is responsible for some incredible, stimulating fantasy pieces and science fiction. All of Gilliam’s works love to indulge in imaginative ideas and push them to their peak, but his “Imagination Trilogy”, which consists of Time Bandits, Brazil, and The Adventures of Barry Munchausen breaks down the concept through the different stages of life.
Each of these films portray lands where free will is literally under attack, but with an aging sensibility and perspective. We can also argue that Brazil, 12 monkeys, and The zero theorem also form an “Orwellian dystopia trilogy”.
3 Lars Von Trier’s Depression Trilogy Features Three Unflinching Women Over the Abyss
Lars von Trier is an intense director who is not afraid of uncomfortable subjects and raw visuals. He is a director who likes to make complementary thematic works and the common points through his films are easy to trace. Von Trier allows himself to dive into particularly dark territory with his “Depression Trilogy”, which focuses on three women who see their individual discomfort reinforced by the cosmic weight of a dysfunctional universe.
The same DNA is present in Antichrist, Melancholy, and Nymphomaniac, yet each heroine undertakes her exodus in very different ways.
2 Federico Fellini’s loneliness trilogy brings out the beauty of societal rejections
Federico Fellini represents an emblematic corner of cinema. The director is responsible for many powerful films, but the collective impact of his 1950s “Loneliness Trilogy” might be Fellini’s most powerful statement. La Strada, Il Bidone, and The Nights of Cabiria are all focused on rambling outcasts who have been pushed to the margins of society.
Whether it’s a shady circus, a team of crooks, or a selfless sex worker, Fellini’s Loneliness Trilogy brings out the empathy of these lost souls and explains why they deserve too. happiness.
1 Claire Denis’ colonial trilogy highlights the strength of the human spirit
The powerful impact of an effective thematic trilogy can provide individuals with profound insight into certain causes. Claire Denis is a filmmaker who has always been very interested in the negativity of colonialism and the domino effect it can trigger across generations. Denis’ first film, Chocolate, draws from a biographical idea to launch this thesis, but then No fear, no death and I can not sleep complement the “Colonialism Trilogy” by drawing from different oppressed perspectives.
Themes like social inequality and generational pain only become stronger when they are extrapolated across different time periods and communities.
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